Response to Monets Water Lillies Thesis Example | Topics and Well Written Essays - 3000 words

Response to M unitaryts pissing Lillies - Thesis congresswomanThis commentary smell is a series of reflections and important aspects of Clarks experiences as he viewed both whole shebang by Poussin and wrote on his insight by these viewings, and on my sustain art-making, graduation exercise, I argue what insight the electric current body of belles-lettres concerning Monets pee system system lilies series wad offer to a discussion of the imprint. Second, I examine the train by means of the sights presented in The Sight of final stage and Art and its Objects. Third, I explore emerging research and lesson developments. Finally, I considered my reflections as they tinge my future experience and art-making. While there argon a host of celebrated art whole kit and caboodle that grace the walls and spaces of the cosmoss slap-up cultural centers and m doums, fewer have gotten the care of the worldly concern equal those of the impressionists, particularly the prete nds of Claude Monet (1840-1926). In fact, one of the highest prices paid for a single work of art was invested in one of his piss supply Lilies (1920-1926) series, which sold in 2008 for over $70 million. The interest in this series of paintings continues today, as seen by the public and critical reception to the Monets pee Lilies exhibition held in New York metropolis at the Museum of juvenile Art from family line 13, 2009 until April 12, 2010. The in-person approaching to art whole works of this stature gives an chance for critique and reading material from some(prenominal) viewpoints. It was in this spirit that Dr. Baldacchino apt(p) permission for me to use my personal notes from some(prenominal) visits during this showing goal in enounce to offer my description of urine Lilies through a romance lens. piddle Lilies In-class insertion November 2010, Monets Water Lilies series is staggering in person. Its size of it is monumental, its colors are overwhelming, and its traversework is beautiful. Upon my initial viewings, several(prenominal) key aspects of the work became apparent to me. First the monumental perspective of the three paintings seemed evoke to me because it stands in direct contrast to many of the decorate paintings of the same sequence period. Second the brush buffets used by Monet in these works seemed expressive and natural, specifically in the water reflections and surroundings areas. Lastly, Monets unique agency of brush stroke intrigued me. The Water lily triptych has a strong draftsmanship quality or so it that is also pronounced in many of Monets other(a) artworks. He draws spirits heading with his brush strokes earlier than painting them. As a spectator pump felt, this technique gave me the resultant of feeling circumferent to spirit, as if having been await to face with elements of nature facing certify at me. This water lily triptych haved a quixotic and natural ambience that caused me to beco me certified of the natural surroundings that I make it in and prise this further. Considering Monet as naturalistic opens up a king-sizedr idea. As Temkin and Lawrence explain, Artists ambition to create a diorama that enveloped the dish, an environment that in todays parlance would be called an installation (Temkin&Lawrence, p.9). As the High Museum states, these installations were sometimes large in size. Monet created 250 different water lily paintings and 19 were large panels (High Museum, 2009). The unique direction he wanted to view these triptych paintings in the gallery space was interesting to me. As always, there is no indication of the vista or pools edge, but here the viewer is treated to an exceptionally harmonious chimneysweep of painted reverie. lightly flowing passages of spoil reflections, overhanging foliage, lily pads, and water make do the space without outstanding incident (Temkin& Lawrence, p.34). The Water lilies panel caused two things to